Maya Angelou would have been 90 this week. It was remarkable to see the out-pouring of respect and admiration for her on that anniversary. Not surprising but deeply moving and for me, still incredibly significant. In this time, when navigating being a person of integrity, a woman of integrity, is throwing up challenges both ongoing and new at every turn, strong role-models feel especially important. Maya Angelou embodied integrity. Heart driven but with a good head; compassionate and wise, she forged a path that is still leaving a wake. In my life and in the world.
I first discovered her writing when I was at university. She was not on the curriculum. Even on the most liberal campuses, early 80s South Africa did not actively encourage the study of women writers, unless it was Austen or Brontë, and certainly Black women were not even officially acknowledged as existing. In those days studying André Brink, under the tutelage of André Brink, was considered radical. But, there were plenty of works (many banned) doing the rounds unofficially. Along with discovering the music of Miriam Makeba and the joys of eating ice-cream for breakfast, reading Maya Angelou felt both incredibly subversive and like a home-coming to me. She’d not long since published The Heart of a Woman and I remember devouring a copy and being deeply moved by her story.
I remember sitting around at the home of one of my professors, for the first time in a racially mixed group of my peers, being served ‘special’ brownies that he’d made himself and discussing everything from the role of law and journalism in a state of emergency, the lyrics of Rodrigues, if wearing braids as a white-freckled-redheaded South African was appropriate, where to buy the cheapest red wine by the gallon (literally), and the role of Black women in the civil rights movement. Maya Angelou was with us in that moment and she is with us now.
Her life story was so different to mine and yet I did and still do hear my own heart in so much of her writing. She had the gift of expressing some universal experiences through the telling of her very individual story. That is just one of the ways she modelled, for me, how to be in the world. We all have a story to tell. They may not all land on a world stage or be told quite so eloquently but they’re all significant. Together, they add to and add up to the story of the world. I always think about what I’d like my bit of that mosaic to look like. Still working on it.

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